![]() ![]() I have added Bigsbys to both my Guild and my Sheraton. But the tuning problems are endemic to a vibrato/"tremolo" sustem. What can you do to minimize this? Use heavier strings, make sure the nut is cut correctly and maybe use a teflon or graphite nut, lubricate the nut, use a roller bridge or Gretsch bar bridge, use locking tuners. When Gibson first introduced the 330 they offered it with a B3 rather than a B7 but switched to a B7 within 18 months or so, probably because they couldn't. The guitar will go out of tune a little more quickly. Jayyj said: The rule of thumb is if the bridge is raised up off the body on a wooden base, use a B3 or B6, if it's directly mounted onto the top use a B7. If it is not embossed into the pickguard, any number of chemicals shoud do the trick.Īre there tuning problems with a Bigsby. Second, if you don't like the signature, get rid of it. You don't normally want to screw something like that into an unsupported top. It is designed to be screwed through the top into the center block of the semi-hollow guitar such as a Dot/335/Sheraton. The difference is that the B-7 has a tension bar at the top. ![]() Are there any problems keeping in tune after installing a this kind of trem? Thanks a lot!įirst of all, I would not use a B-7, Get the B-3 instead. Matter of fact, it's all stock (god I hate the lame *** signature on the pick guard). I'm thinking that I want to use a B7, is that a good idea? Also, should I change the bridge? I currently have the stock one on it. I've just bought an Epiphone Joe Pass Emperor II (lefty) and I would like to get some opinions about adding a Bigsby trem to it. ![]()
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